Drawing in the art instructional traditions has for a long time been considered an apriority process for painting, the artist ‘learning to paint by drawing’. The progress of drawing had to do with the transcription of the given world into visual form - me 1st ed.

Still life as a curatorial idea sparked off from a casual encounter with a suite of paintings in the Delhi Art Gallery collection. A close examination of these works brought to fore the varied representations and adaptations of the theme for over a centur 1st ed.

1st ed.

L. Munuswamy, born in 1927 in Madras and a renowned painter and teacher, has played a significant role in the search of a vocabulary of artistic expression in South India. The decade of 1960’s saw a sustained art movement in the region led by D.P. Roychow 1st ed.

An artist who trespasses established formal and aesthetic categories to deviate from the beaten path, invariably presents an engaging viewing experience. Walking the precarious edge between abstraction and figuration and defying the fixations with Europea 1st ed. xiv+242p.

1st ed.

Viswanadhan will be in town, after four years, but this time Delhi Art Gallery will be presenting the early decades of his artistic journey focused on the 60s and the 70s, when his life was punctuated in different geographies- Kerala, Madras and Paris. He 1st ed.

Though Ambadas, the veteran Indian artist has been visiting India every year, but this January, it is his retrospective at the Delhi Art Gallery showcasing his works of the last four decades and the release of his book sublime encounters: ambadas (1965-20 1st ed.