What a terrible thing at a time like this: to own a house, and the trees around it. Janet sat rigid in her seat. The plane lifted from the city and her house fell away, consumed by the other houses. Janet worried about her own particular garden and her emptied refrigerator and her lamps that had been timed to come on at six.
So begins "Mycenae," a story in The High Places, Fiona McFarlane's first story collection. Her stories skip across continents, eras, and genres to chart the borderlands of emotional life. In "Mycenae," she describes a middle-aged couple's disastrous vacation with old friends. In "Good News for Modern Man," a scientist lives on a small island with only a colossal squid and the ghost of Charles Darwin for company. And in the title story, an Australian farmer turns to Old Testament methods to relieve a fatal drought. Each story explores what Flannery O'Connor called "mystery and manners." The collection dissects the feelings--longing, contempt, love, fear--that animate our existence and hints at a reality beyond the smallness of our lives.
Salon's Laura Miller called McFarlane's The Night Guest "a novel of uncanny emotional penetration . . . How could anyone so young portray so persuasively what it feels like to look back on a lot more life than you can see in front of you?" The High Places is further evidence of McFarlane's preternatural talent, a debut collection that reads like the selected works of a literary great.
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“McFarlane writes with a deceptively plain hand, and her style gives shape to the unanswered questions of how well we can ever know each other or ourselves...The writing is clever and skillful in spades.”―Kirkus Reviews
“Having triumphantly debuted with The Night Guest, which won the inaugural Voss Literary Prize and the Barbara Jefferis Award and was short-listed for a stack of others, McFarlane returns with a collection of short stories. She unsettled us then, and she unsettles us now, offering narratives that explore characters at the emotional borders.”―Barbara Hoffert, Library Journal
“Her debut novel, The Night Guest, earned McFarlane a reputation as a wise-beyond-years storyteller. [The High Places] reinforces it...It’s a joy to dwell in McFarlane’s rich new world.”―Booklist
"McFarlane has a gift for cutting into a story at precisely the right angle. . . . Her writing is skilled; her point of view is unique."―The Times (London)
"In her distinct and unusual voice―the disconcerting tone and dry humor are reminiscent of Margaret Atwood or Valerie Martin―McFarlane examines relationships with uncomfortable clarity and insight, observing the subtext of human behavior while acknowledging a mysterious power behind the reality we think we know."―Daily Mail (London)
"The High Places is superb. . . . Every one of the thirteen stories is a winner."―The Saturday Paper (Melbourne)
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