Review:
What on earth is a concrete poem? Well, for one thing, it's a lot more playful than a regular poem. The arrangement of letters or words, or the way the type--and even blank space--is placed on the page, or the typefaces chosen... all of these things can contribute to the creation of a concrete poem. In this marvelous collection selected by Paul B. Janeczko (Very Best (Almost) Friends, etc.) and illustrated by Caldecott Honor artist Chris Raschka (Yo! Yes?, etc.), you never know what might happen from page to page. In John Agard's "Skipping Rope Spell," for example, the words are shaped into four spirals, representing the motions of hands as they turn the jump rope. "A Seeing Poem," by Robert Froman, is printed in the shape of a light bulb. The words of the poem in conventional order go like this: "A seeing poem happens when words take a shape that helps them to turn on a light in someone's mind." And Monica Kulling's "Tennis Anyone?" covers two pages. The poem is split down the middle, so readers must swivel their heads back and forth as if they were watching a match! Raschka's unique, terrifically captivating illustrations, done in watercolor, ink, and torn paper, are a perfect match for the wackiness and joy of the poetry. (Ages 5 and older) --Emilie Coulter
About the Author:
Chris Raschka is the illustrator of more than twenty highly praised books for children, including YO! YES?, a Caldecott Honor Book; CHARLIE PARKER PLAYED BE BOP; ARLENE SARDINE; and RING! YO? He says, "Concrete poetry is the yoga of words. Like feeling your breath and your bones, you begin to notice what words and sentences actually look like. It’s just like the feeling you get after a fifteen-minute handstand. And you don’t even have to put on loose-fitting clothes!" Chris Raschka lives in New York City with his wife and son.
Paul B. Janeczko is a poet and teacher and has edited more than twenty award-winning poetry anthologies for young people. He says, "I want young readers to see the spectacular possibilities of poetry. I’m hoping this ‘poke in the I’ kicks kids’ imaginations into high gear and lets them run wild writing their own concrete poems." Paul B. Janeczko lives in Maine with his wife and daughter.
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