"synopsis" may belong to another edition of this title.
Though Hank tries to apply William of Occam's rational approach (choose simplicity) to each increasingly absurd situation, and even has a dog named after the philosopher, he does seem to cause most of his own enormous difficulties. Not least when he grabs a goose and threatens to off a duck (sic) a day until he gets his budget. The fact that he is also wearing a fake nose and glasses and doing so in front of a TV camera complicates matters even further. Hank tries to explain to one class that comedy and tragedy don't go together, but finds the argument "runs contrary to their experience. Indeed it may run contrary to my own." It runs decidedly against Richard Russo's approach in Straight Man, and the result is a hilarious and touching novel.
"What makes Richard Russo so admirable as a novelist is that his natural grace as a storyteller is matched by his compassion for his characters."
-- John Irving
"Russo proves himself a master at evoking the sights, feelings and smells of a town ... He has succeeded in creating characters with the emotional weight of people we've known in real life."
--The New York Times
"After the last sentence is read, the reader continues to see Russo's tender, messed-up people coming out of doorways, lurching through life. And keeps on seeing them because they are as real as we are."
-- E. Annie Proulx
"It's about time that people looking for a good read discovered the novels of Richard Russo."
-- Publisher's Weekly
"Richard Russo's novel is as simple as family love, yet nearly as complicated."
-- San Francisco Chronicle
"Self-knowledge, along with love in all its forms, from lifelong friendships to consuming sexual passions, is what this remarkably likable, beautifully written novel is all about."
-- Washington Post Book World
"Funny, bighearted, resolutely untrendy, ultimately moving ... at once a delightful entertainment and a wise handbook for living."
-- New York Newsday
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